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逐利主义和自由主义之间 技术嬉皮士:日月城平台

时间:2021-01-29
本文摘要:they have no name and no leader . but you could call them“tech no-hippies”。somewhere between the cheerful profite ering of silice Arianism of online hackers,This loose collection of artists and entre preneurs is using这些人没有名字,也没有领导。

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they have no name and no leader . but you could call them“tech no-hippies”。somewhere between the cheerful profite ering of silice Arianism of online hackers,This loose collection of artists and entre preneurs is using这些人没有名字,也没有领导。但是你可以叫他们“技术嬉皮士”。硅谷欢快的利益主义和在线黑客的自由主义之间是艺术家和企业家的坚实群体,利用不断出现的新设备和数字网络挑战资本主义、消费、人与自然关系的主流观念。

Lastmonth,they descended on Linz,A pretty city perched on the banks of the Austrian danube that hosts the annual ars electronica festival A他们上个月回到位于奥地利多瑙河沿岸的美丽城市林茨,一年一度参与电子:Colon ising Linz's shopping malls,schools and even the local bishop ' s residence,This year 's installations今年的安装作品占据了林茨的购物中心、学校甚至当地主教的住处,还包括用激光演奏的大教堂。就像一个大乐器“ars electronica is an early warning system,”says Hiroshi Ishii,“the associate director of MIT ' s media lab,Who was vishii”“it shows we are living in an era when the connectivity of people and machines can contribute to solving societal ms。”电子艺术节是一个警报系统。

“参与此次电子庆典的MIT (MIT)媒体实验室(Media Lab)副主任石政正(Hiroshi Ishii)表示:“这表明在我们生活的这个时代,人和机器是相互联系的。”where a typical start-up preaches the values of disruption and convenience,These alternative futurists point to the social or environmental ii一般的初创企业会助长指向社会或环境影响的政治宣传和便利价值。

他们不是在尖叫最近公布的高调产品,而是找一个愤世嫉俗的方法问谁能控制这项技术并从中受益。(另一方面)。每当新的专有技术设备问世时,“对外开放院”战略能否将自己的命运寄托在个人身上,除了创造性的利益获得动机外,还对给予鼓舞更不利?(威廉莎士比亚,温斯顿,独创性,独创性,独创性,独创性)Their Initiatives Include " Repair CafS " that Encouunt Runs a chain of so-called“开放技术实验室”或“ote los”in rural Austria,Which act as a cross between community groups and 这些计划是我在这次电子艺术节的主人马丁霍林涅茨发行的。Martin Hollinetz,Martin Hollinetz,Martin Hollinetz)他是科班出身的工程师和心理治疗师,在奥地利农村经营着所谓的“对外开放技术实验室”(Otelos)链,它们兼具社区的组织和高科技实验室的特点Mr hollinetz,who lives in A yellow house he and his wife built from reclaimed freight containers previously used to transport refrigerators霍林涅茨住在他和妻子用重复使用的货运集装箱建造的黄色房子里,这个集装箱以前是用来运输冰箱的。

他指的是在“maker”运动中受到创造Otelos的启发。(约翰肯尼迪,Northern Exposure(美国电视),)这项运动是由数字DIY爱好者组成的群体,不会拥挤在俱乐部里,也不会摆弄3D打印机等高科技设备。

但是他期待Otelos不仅会沦为传统黑客,还会沦为非常包容的组织。(威廉莎士比亚,Northern Exposure(美国电视剧),《we wanted to create something like the ' hacker spaces ' you see in Berlin and barras》)“we wanted to help show people that they had valuable knowledge to share。“”期待创建一个与柏林和巴塞罗那看到的“黑客空间”相似的组织,名为With around 500 active members,Otelo projects to date include the design And fabrication of a plug-And-play members 到目前为止的成果包括设计和Artists and Entre preneurs Like Mr Hollinetz Are weighing in to a big Debate About how technological Development Should Happen . because Makinge “there is a real teer N The altruistic or utopian conception of The development of technology on The one hand,and market forces on the other,”艺术家和霍林涅茨等企业家重新加入了以技术发展不应该如何构建为重点的大规模争论。

因为研发技术肯定会很昂贵,所以创意往往来自通过鼓励消费者销售产品来获得资本补偿的公司。伦敦音乐早期企业劳里创始人和首席执行官罗兰拉姆(Roli Lamb)表示:“显然没有紧张感。

一方面是技术发展的利他或乌托邦概念,一方面是市场力量。”Mr lamb,WHO HAS A Degree In Comparative Philosophy from Harvard,Credits Eastern Thinking with Helping Him Challenge Western Ideas About it.哈伯德(Harvard)是一个比较哲学的学位,他指出,在设计他公司主力产品Seaboard的过程中,东方思维帮助挑战了西方对身份和分离性的看法。该产品是用软数字传感器代替钢琴,代替钢琴键盘,利用演奏者手指的反向压力构建声音变化的钢琴。

There is a certain irony,Mr lamb notes,In corporations that have encouraged consumers to be reliant on their devices now having to tread morrsAn internal object,“Mr Lamb adds,Pointing to the recent outrage over apple automatically downloading u 2’s album songs of innocencence”“the And closeness of these devices means people want to forget that they have been developed by a company that can push things on to them。”特别是手机开始从被认为与人瓦解的外部产品转变为内部产品。“补充石灰”最近自动对苹果(Apple)不知道的Apple用户Itunes U2专辑Songs of Innocence感到愤怒。but do these experimental interventions produce lasting benefits?tech business such as apple and Google have shown a willingness to use bottom-up approaches to turn them selves into " platforms ",sharis但是,这些实验性干预不会产生长期效果吗,苹果和谷歌等技术企业利用自下而上的方法,将自己变成“平台”,共享技术秘密,开发者不愿意从基于这些秘密的收益中分享。

”there ' s still the question of who has control,in the end,“says erki huh tamo,A media historian at ucla”。it ' s quite clear that the corporate world is not interested in releasing control for anybody;rather it ' s a strategy or lesson they ' ve learntthat it ' s wiser to give people leeway in moulding the technology in certain ways加州大学洛杉矶分校他们教战略或学到了一个教训。也就是说,以某种方式在技术构成方面给人们留出余地是更明智的方法。

(约翰肯尼迪战略)。“Still,Professor huh tamo thinks artists and alternative futurists serve a valuable role in helping society adjust to massive technologicationartists can help prepare the public for new technological paradigms。

“但是他拒绝维多利亚时代的野外游乐场接受产业革命的机械文化,他认为当时很多人害怕伦敦地铁新建的扶梯。”艺术家需要帮助大众制定新的技术范式的计划。


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